This photo didn’t jump out at me at first when I came across it in an album I recently picked up, but in looking at it again it struck me as possessing that simple beauty that snapshots are sometimes able to so singularly capture. There is a Minnesota processing stamp on the back dated April 1939, and so much about it conveys that Depression-era feel, from her dress to the house on blocks with no step up to the screen door. The dusty car in the background, her expression, the composition — it doesn’t, to be sure, scream “Great Depression” like some of the well-known images from that time, but it is, I think, deeply evocative in it own understated way.
The face is on a piece of paper that has been glued to the back and shows through a hole cut in the photo.
A random grouping of a few recently acquired shots that I think will remain favorites.